Jimmy Page

I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.

Bruce Springsteen

When I was growing up, there were two things that were unpopular in my house. One was me, and the other was my guitar.

Richard Thompson

To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism. Bordering on insanity.

Paul Weller

Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.

Kurt Cobain

I own a '66 Jaguar. That's the guitar I polish, and baby - I refuse to let anyone touch it when I jump into the crowd.

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Showing posts with label Guitar Theory. Show all posts
Showing posts with label Guitar Theory. Show all posts

Tuesday, January 13, 2015

Guitar Chords: Zehnaseeb (Hansee to Phasee - 2014)

Film: Hasee to Phasee
Release: 2014
Cast: Siddharth Malhotra, Pariniti Chopra
Lyrics: Amitabh Bhattacharya
Muisc: Vishal-Shekhar
Singer: Shekhar Ravjiani, Chinmayi Sripaada
Synopsis: Zehnaseeb is a slow number and is very easy song to learn for beginners and intermediate players. The song is on the key of D Major and user variety of other chords such as B Minor, A Minor and E which provides this song a beautiful feel. The strumming of the song is very straight forward and you can strum yourself after listening the song very carefully a couple of times. So enjoy this colourful and soulful song with your guitar and play on.



CHORDS
D G C Bm Am E

VERSE

(D)ZEHNASEEB, (G)ZEHANASEEB
TUJHE (Am)CHAAHUN BETAHA(C)SHA ZEHNA(D)SEEB
MERE KAREEB, MERE (G)HABEEB
TUJHE (Am)CHAAHUN BETAHA(C)SHA ZEHNA(D)SEEB



STANZA 1

(D)TERE SANG BEETE HAR LAMHE PE HUMKO (G)NAAZ HAI
(D)TERE SANG JO NA BEETE USPE (G)AITRAAZ HAI
IS KADAR (Bm)HUM DONO KA MILNA EK (E)RAAZ HAI
HUAA (D)AMEER DIL (G)GAREEB
TUJHE (Am)CHAAHUN BETAHA(C)SHA ZEHNA(D)SEEB
(REPEAT VERSE)


STANZA 2

(D)LENA-DENA NAHI DUNIYA SE MERA BAS (G)TUJH SE KAAM HAI(D)
TERI ANKHIYON KE SHEHER ME YAARA SAB (Bm)INTEZAAM HAI(D)
KHUSHIYON KA EK TUKDA MILE YA MILE (G)GHAM KI KHURCHANE(D)
YAARA TERE MERE KHARCHE ME DONO KA HI (Bm)EK DAAM HAI(D)
HONA (C)LIKHA THA (G)YUNHI JO (D)HUA
YAA HOTE (C)HOTE (G)ABHI ANJAANE MEIN HO (D)GAYA
JO BHI HUA, HUA (G)AJEEB
TUJHE (Am)CHAAHUN BETAHA(C)SHA ZEHNA(D)SEEB
(REPEAT VERSE)



Disclaimer: The Film, Lyric, Music etc. are copyrighted and sole property of their respective owners. The lyric and its chords are posted for the purpose of education and training only.

Saturday, November 8, 2014

Classification of Scales: A Complete Guide for Modes & Scales - 02

Introduction

In our previous lesson Constructing Scales we discussed about how scales are constructed. In this succeeding lecture we will describe types of scales in music. We can categories scales according to different parameters, such as:
1.    Number of notes in a scale
2.    Interval used in scale
Different types of scales are described as follows.



Classification of Scales According to Number of Notes
A scale has a fixed number of notes. Usually we play scales that have seven different pitches such as a Major Scale or a Minor Scale. Apart from these seven note scales there are other scale which have six or five different pitches, such as Blues Scale and Pentatonic Scales. According to the number of pitches found in a scale they could be categorized as:

1.   Heptatonic Scales (7 Notes)

a.   Major Scale
b.   Minor Scale
c.    Lydian Scale
d.   Mixolydian Scale
e.   Phrygian Scale
f.     Locrian Scale

 
2.   Hexatonic Scales (6 notes)
a.   Blues Scale

 
3.   Pentatonic Scales (5 notes)
a.   Major Pentatonic Scale
b.   Minor Pentatonic Scale

 
Classification of Scales According to Intervals

Scales can also be classified according to the pattern of intervals used in the scale. According to the intervals the scales generally classified as Diatonic Scale and Chromatic Scales. There could also be other forms of scales according to number of intervals.

Diatonic Scale
A  Diatonic Scale is an eight note musical scale composed of seven pitches and a repeated octave. The diatonic scale includes five whole steps and two half steps for each octave. The two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave. Major Scale is an example of Diatonic Scale

Chromatic Scale
A chromatic scale consists of an ascending or descending sequence of pitches proceeding always by semitones. The structure of a chromatic scale is therefore uniform throughout, unlike major and minor scales which have tones and semitones in particular arrangements. In simple words, when you play all twelve notes of music in ascending or descending sequence, it will be chromatic scale. For example playing C Chromatic Scale in ascending order will look like as:

C – C# - D – Eb – E – F – F# - G – Ab – A – Bb – B – C
Chromatic Scale is not used for compositions. In next lessons we will discuss all these scales with their examples. Happy Playing!!

Sunday, October 26, 2014

Constructing Scales: A Complete Guide for Modes & Scales - 01

What is a scale? Why learning scale is important?

A scale is a collection of musical notes arranged in an order of frequency or pitch of the sound. When notes are played in increasing order of frequency it is called Ascending order and when they are played in decreasing order of frequency is known as Descending order. Thus a scale can be played in ASC and DESC order. With few exceptions some scales are played in varying ascending and descending pitches e.g. Melodic Minor. We will cover  types of scales in a different post.
 
The harmony or melody is constructed using a part of or the complete scale. Hence in the context of practicing music, scales are must to do exercise for learning. To have a much clearer picture of music, just visualize music as a language. To learn a particular language we start learning alphabets followed by formation of word and sentences. In the similar way in music; notes are alphabets, scales are words and harmony/melody is a complete sentence. Without attaining the basic knowledge of scales it will be difficult to understand music.
 
How scales are formed?
 


  
The Music Pyramid To understand the construction of scales, let us refer to the diagram - The Music Pyramid that demonstrates various elements step by step that are used to construct scale and composing music. Symmetrically they are Intervals, Modes, Scales, Harmony, Rhythm, Melody and Chords. We will discuss up to scales in this articles as it would be difficult to cover all the topics in a single post. Let's start exploring formation of scales step by step.
 
 
Intervals
 
Logically, interval is the gap between two notes which are arranged in ascending or descending order according to their pitch or frequency. For example starting with note C we can arrange all twelve notes in ascending order as: C, C#, D, Eb, E, F, F#, G, Ab, A, Bb and B. Now, the distance between C and C# is half note that can be denoted by "H" and distance between C and D is whole note which can be denoted by "W". So we get two types of Intervals i.e. Half Step (H) and Whole Step (W).
 
Modes
 
It will be very interesting and essential to learn about modes before switching to scales. A mode can be described as a blue print or a building block for constructing a scale. Usually a mode is an arrangement of intervals to form a pattern. This pattern of intervals is used to form a particular sequence of notes to construct the scale. Confused? Let us understand the concept with the help of an example. Let us consider the example of Ionian Mode which describes the following pattern of intervals:

W-W-H-W-W-W-H

Keep in mind that the interval defines the gap between two notes thus W or H is actually the distance between two notes and not the note itself. According to the given pattern of intervals let us construct the C Scale. To do so start with the note C and put the subsequent notes according to the given set of intervals. Here it goes:

  1. Start with C
  2. After leaving whole step interval pick the next note, that will be D
  3. Leave whole step interval pick next note, that will be E
  4. Leave half step interval pick next note, that will be F
  5. Leave whole step interval pick next note, that will be G
  6. Leave whole step interval pick next note, that will be A
  7. Leave whole step interval pick next note, that will be B
  8. Leave half step interval pick next note, that will be C

Thus the sequence of notes we derive from the Ionian Mode (W-W-H-W-W-W-H) starting with note C is C-D-E-F-G-A-B-C which is exactly the C Major Scale. Either way you can say that Major Scale is derived from Ionian Mode.

Modes and Scales Together

Let us put Modes and Scales together to understand the difference and similarity between them. First examine the difference:

SR
MODE
SCALE
1
Mode is the pattern of intervals.
Scale is sequence of notes arranged in order of ascending or descending pitch.
2
Mode is the building block.
Scale is derived from a Mode.
3
Mode cannot be played.
Scale can be played in ascending and or descending order.

Coming to the similarity between mode and scale, it lies only in their name. For example at times a mode and a scale share the same name such as Mixolydian Mode forms Mixolydian Scale. Whereas at most of the times the scale has a different name than a mode from which it is derived for example Ionian Mode is used to derive a Major Scale.

Friday, June 27, 2014

Types of Guitar Capos

What is a Guitar Capo? 

A capo is a small device that is used on the neck of a guitar which reduces the playable length of the strings. This raises the pitch of the guitar strings when played. The capo is made such that it fits onto the neck of the guitar on the selected fret which shortens the length of the strings. The musician could play guitar with an altogether different tuning. Hence guitarist uses capo for alternative purpose of playing guitar. 

Strap on Guitar Capos 

It is the simplest form of guitar capo that consists of two components namely a rubber strap and a bar. The bar is placed on the guitar strings and the strap is tightened firmly around the neck of the guitar. 





Trigger Style Guitar Capos 

It is the one of the most common type of guitar capo. It consists of two bars which are held tight with the help of a spring. The first bar is placed over strings whereas the second bar pushes behind the neck. This capo allows guitarists to quickly and easily change the tension of device, thus they are also known as quick release capos. 

Spring Loaded Capos 

It uses spring controlled handle that allows guitarists to add or remove the capo easily. It is somewhat similar to trigger style capo. This capo can be placed or removed using single hand. The tension of this capo cannot be adjusted like trigger style capo hence it could lead to string bend. 





Ratchet Capos

The Ratchet Capo uses a simple and intuitive design to gently lock strings into place at any desired fret. It is made of plastic or fiber like material and mostly works on the technique of ratchet locks being used. One press of the quick release lever unlocks the capo for placement around the guitar's neck. Once in place a gentle squeeze with your fingering hand locks the ratchet capo into place.
 

Screw-on Capos 

These capos use a single screw to for clamping the capo over guitar neck. The tension of the device is adjusted through a screw that is held on one of the bars of the capo. It can be rotated clockwise or anticlockwise to built or release the tension. 





Roller Capos 

This capo can be said a revolutionary device. Imagine that a guitarist changing the capo position in the middle of playing the music without interrupting the show. This capo have rollers on both the sides hence the guitarist can change the keys quickly in the middle just by rolling the capo forward or backward. 

Partial Capos 

Another alternate type of guitar capo available these days, is known as the partial capo which is commonly used to fret certain selected strings of the guitar. 








Alternate Tuning Capos 

The alternative tuning device is ideal for guitarists who want to experiment with guitar tuning on various levels since this capo allows the musician to tune every individual string which in turn provides numerous possibilities for open string tuning and all this can be accomplished without detuning the guitar.


Wednesday, April 23, 2014

Gear Review: How Guitar Polish Can Make Your Guitar Shine

Protect Your Guitar Surface

Polish for guitar, wow! It sounds amazing that even guitars are required to polish. Of course why not. As you know that all wooden articles after  certain years are polished to retain their life. Polishing wood adds new life to wood, brings the original shine back and it also protect wood from being destroyed by pests. So there is no astounding to know that guitars even need polishing. Guitar, especially if you own some expensive ones then this shall be added as a regular maintenance activity. Your instrument would survive for years.

Apply these steps to make your guitar shine like a brand new instrument:


  1. Clean the surface of your guitar with a soft cotton cloth to remove the dust.
  2. Choose a good quality guitar polish and pour at different areas of the body of your guitar.
  3. Take another soft cloth or if you have got special pack of polish and cloth then use that cloth.
  4. Rub the polish over the entire surface of the guitar including front, back and sides of the body.
  5. You can also apply the polish at the back of the neck.
  6. Make sure and do not try to clean the fretboard and strings with this polish. For cleaning fretboard use Fretboard Lemon Oil and to clean string use String Cleaner solution. 

D'Addario PlanetWaves and JimDunlop offer good quality guitar accessories for your daily guitar needs including maintenance. PlanetWaves 3 step guitar polishing system requires 3 different guitar polishes to be applied on your guitar as follows

STEP 1: RESTORE - R
estore deep cleaning polish is a formula designed to remove swirl marks and even light scratches from all clear coated instruments.

STEP 2: PROTECT -
Protect is a natural protectant and sealer for all clear coated instruments, combining premium quality Brazilian Carnauba Wax and advanced chemistry to produce a distinct radiance with quick and easy application.

STEP 3: SHINE - S
hine spray cleaner and maintainer is an easy to use daily cleaner for all clear coated instruments. Shine erases dust, fingerprints, and minor imperfections, while color enhancers bring out your instrument’s beauty. Step 3 of a 3 part system.

Can't Invest For 3 Step Cleaning System Then Try Express Pack

 
Planet Waves Express Packs are the Ultimate one-time use 3 step polishing system for guitar and basses. Each Express packet contains a one-time use quantity of each polish in the 3-step detailing system that includes Restore, Protect and Shine. Each packet contains a one-time use quantity of each polish in the Planet Waves 3-step detailing system.

Wednesday, April 16, 2014

Guitar Chords: Raabta (AGENT VINOD - 2012)

Film: Agent Vinod
Release: 2012
Cast: Saif Ali Khan, Kareena Kapoor
Lyrics: Amitabh Bhattacharya
Muisc: Pritam Chakraborty
Singer: Arijit Singh
Synopsis: A Simple song with pretty distinct and easy going strumming pattern. The song is in the key of C Major sung by Arijit Singh and music composed by Pritam. The song has unable to hit the charts yet appraised by the young blood. Can't keep this song in the category of - A Must Learn for every guitar player. Rest all depends on your choice. Enjoy the chords for Raabta..



CHORDS
C Am F G

VERSE
 
(C)KEHTE HAIN KHUDA NE IS (Am)JAHAAN MEIN SABHI KE LIYE
(C)KISI NA KISI KO HAI (Am)BANAYA HAR KISI KE LIYE
(F)TERA MILNA HAI US (Am)RAB KA ISHAARA MAANO
(G)MUJHKO BANAYA TERE (F)JAISE HI KISI KE LIYE
(C)KUCH TOH HAI TUJH SE (G)RAABTA
(Am)KUCH TOH HAI TUJH SE (F)RAABTA
(C)KAISE HUM JAANE HUME (G)KYA PATA
(Am)KUCH TOH HAI TUJH SE (F)RAABTA
TU HUMSAFAR HAI, PHIR KYA FIKAR HAI
(G)JEENE KI WAJAH HI YAHI MARNA ISI KE LIYE



STANZA 1

(C)MEHARBAANI JAATE JAATE (F)MUJH PE KAR (G)GAYA
(C)GUZARTA SA LAMHA EK (F)DAMAN BHAR (G)GAYA
TERA (F)NAZAARA (C)MILA, ROSHAN (G)SITAARA MILA
TAQDEER (F)KI KASHTIY(G)ON KO (Am)KINARA (G)MILA
(C)SADIYON SE TARSE HAIN (Am)JAISI ZINDAGI KE LIYE
(C)TERI SOHBAT MEIN (Am)DUAAYEN HAIN USI KE LIYE
 
(F)TERA MILNA HAI US (Am)RAB KA ISHAARA MAANO
(G)MUJHKO BANAYA TERE (F)JAISE HI KISI KE LIYE
(C)KUCH TOH HAI TUJH SE (G)RAABTA
(Am)KUCH TOH HAI TUJH SE (F)RAABTA
(C)KAISE HUM JAANE HUME (G)KYA PATA
(Am)KUCH TOH HAI TUJH SE (F)RAABTA
TU HUMSAFAR HAI, PHIR KYA FIKAR HAI
(G)JEENE KI WAJAH HI YAHI MARNA ISI KE LIYE








Disclaimer: The Film, Lyric, Music etc. are copyrighted and sole property of their respective owners. The lyric and its chords are posted for the purpose of education and training only.

Thursday, December 12, 2013

Guitar Chords: Mere Bina Tu (Phata Poster Nikla Hero - 2013)

Film: Phata Poster Nikla Hero
Release: 2013
Cast: Shahid Kapoor, Ileana D'Cruz
Lyrics: Irshad Kamil
Muisc: Preetam

Singer: Rahat Fateh Ali Khan
Synopsis: You need to work a lot to exacly match the strumming this song. Chords are pretty simple. After little bit of practice you could easily play this song. Keep rocking.

 




CHORDS: Eb, Ab, Bb, Cm

VERSE
 

(Eb)MERE BINA TU MERE BINA TU
MERE BINA TU MERE (Ab)BINA (Eb)TU
MERE BINA KHUSH (Bb)RAHE TU (Ab)ZAMANE MEIN
KE AAUN (Bb)NA MAIN YAAD BHI AN(Eb)JANE MEIN
MERE BINA TU MERE BINA TU
MERE BINA TU MERE (Ab)BINA (Eb)TU


STANZA 1


(Eb)BHOOL AB JANA (Ab)GUZRA ZAMANA
KEH TO (Bb)RAHE HO MUJHKO (Cm)MAGAR
(Eb)TASVEEREN LE LO KHAT BHI LE (Ab)JAO
LAUTA DO (Bb)MERE SHAAM O (Cm)SEHAR
(Eb)JAAN JAAYE RE JAAN JAAYE RE
JAAN JAAYE MERI (Bb)TUJH KO (Ab)BHULANE MEIN
KE AAUN (Bb)NA MAIN YAAD BHI AN(Eb)JANE MEIN
MERE BINA TU MERE BINA TU
MERE BINA TU MERE (Ab)BINA (Eb)TU

STANZA 2


(Eb)
TUJHSE HAI WAADA HAI YE (Ab)IRADA
AB NA (Bb)MILENGE TUJHSE (Cm)KABHI
(Eb)DE JAO MUJHKO SARE HI (Ab)AANSU
LE JAO (Bb)MUJHSE MERI (Cm)KHUSHI
(Eb)MERI KHUSHI TO MERI KHUSHI TO
MERI KHUSHI (Bb)AANSUON KO (Ab)BAHANE MEIN
KE AAUN (Bb)NA MAIN YAAD BHI AN(Eb)JANE MEIN
MERE BINA TU MERE BINA TU
MERE BINA TU MERE (Ab)BINA (Eb)TU


REPEAT VERSE

 

Disclaimer: The Film, Lyric, Music etc. are copyrighted and sole property of their respective owners. The lyric and its chords are posted for the purpose of education and training only

Thursday, September 26, 2013

Book Review: Incredible Scale Finder (Hal Leonard)

Book Title: Incredible Scale Finder
Author: Adam St. James
Publisher: Hal Leonard Corporation
ISBN: 0-634-02027-7
Website: www.halleonard.com
Pages: 104
Price: $5.95 (May change accordingly)
Accompaniment: NA

REVIEW

Scales are building blocks of music, be any type and they are the essential element to learn for every musician. Scales help musicians to comprehend how melodies are formed, how chords are built and how the explore more improvising solos.

This book covers almost 17 different types of scales & modes and every scale is described in multiple positions on the the guitar neck. Almost severn different patterns for each scale to practice on your guitar. Thus it would take around months to practice and improvise each and every scale on different location on the guitar neck. See, how comprehensive it is.

If you really want to master the art of playing scale this book can help you a lot. If it is not possible for you to practice all scales then you can use this book as a ready recknor for any problem you face to comprehend a scale on guitar. Few sample pages are here to have a glimpse of the book.

Front Cover


Table of Contents
 

Scales and Modes






Improvising and Soloing

Scale Diagrams

Back Cover






Tuesday, June 11, 2013

Guitar Chords: Khali Salam Dua (SHORTCUT ROMEO - 2013)

Film: Shortcut Romeo
Release: 2013
Cast: Niel Nitin Mukesh, Amisha Patel
Lyrics: Shabbir Ahamed
Muisc: Himesh Reshamiya
Singer: Mohit Chouhan
Synopsis: It has come out as a classic song with soft music. Beats are pretty easy to play along with guitar. Enjoy Himesh's music with this song. Mohit Chouhan's voice has made the song even more romantic.


CHORDS: G, Am C, D, Em


VERSE

(G)TUMSE MIL KE (C)MAINE JAANA(G)
(G)ISHQ KYA MO(C)HABBAT KYA
(G)BHOOL BAITHA (C)SAB KUCHH MAIN TO(G)
(G)DIN KYA (C)RAAT KYA
CHAAHAT (G)MEIN
KHALI SA(G)LAM DUA (D)MULAKAT (Em)MEIN
(Am)CHEHRE KI RANGAT (D)BADAL RAHI HAI
TERI (C)SOHBAT MEIN(D)
(G)YEH TUNE (Em)KYA KIYA
(G)YEH TUNE (Em)KYA KIYA
(C)DOOBA MAIN DIL KI (D)JANNAT MEIN
KHALI SA(G)LAM DUA (D)MULAKAT (Em)MEIN

STANZA 1


(G)JO KHAALIPAN THA (Em)JO SOONA MANN THA
(Am)WOH KHIL UTHA HAI (G)JAANE KHUDA
(G)BADAL RAHA HAI (Em)HAR EK MAUSAM
(Am)BECHAIN DIL KA (G)JAANE KHUDA
JAANE KHU(C)DA (D)JAANE KHU(G)DA
(G)TUMSE MIL KE (C)MAINE JAANA(G)
(G)JOSH KYAA (C)JUNOON HAI KYAA
(G)BHOOL BAITHA (C)SAB KUCHH MAIN TO(G)
(G)CHAIN KYAA (C)SUKOON KYAA
CHAAHAT (G)MEIN
KHALI SA(G)LAM DUA (D)MULAKAT (Em)MEIN

STANZA 2
 

(G)JO BADH RAHA HAI (Em)DILON KA RISHTA
WOH (Am)BADHTA JAYE HAI YE (G)DUA
(G)TUTE KABHI NA YE (Em)SILSILA AB
(Am)SARI UMAR AB HAI YE (G)DUA
HAI YE (C)DUA (D)HAI YE (G)DUA
(G)TUMSE MIL KE (C)MAINE JANA
(G)
(G)RANG KYAA (C)ROOP KYA
(G)BHOOL BAITHA (C)SAB KUCHH MAIN TOH(G)
(G)CHHANV KYAA (C)DHOOP KYA
CHAAHAT (G)MEIN
KHALI SA(G)LAM DUA (D)MULAKAT (Em)MEIN



Disclaimer: The Film, Lyric, Music etc. are copyrighted and sole property of their respective owners. The lyric and its chords are posted for the purpose of education and training only.

Thursday, September 6, 2012

Parts of Guitar - Electric Guitar

Introduction

Dear friends, welcome to our blog. In our last post we discussed about all parts of guitar related to acoustic guitar. Today we would discuss parts of the guitar found on electric guitar. Although most of them are similar to acoustic guitar except a few differences, that we are discussing here in this post. So continue reading and enjoy.

 
Parts of Electric Guitar

 Pickups

Pickups are transducers attached to a guitar that detect (or "pick up") string vibrations and convert the mechanical energy of the string into electrical energy. The resultant electrical signal can then be electronically amplified. The most common type of pickup is electromagnetic in design. These contain magnets that are tightly wrapped in a coil, or coils, of copper wire. Such pickups are usually placed right underneath the guitar strings. Electromagnetic pickups work on the same principles and in a similar manner to an electrical generator. The vibration of the strings causes a small voltage to be created in the coils surrounding the magnets, this signal voltage is later amplified.

Volume & Tone Control (Electronics)
On guitars that have them, these components and the wires that connect them allow the player to control some aspects of the sound like volume or tone. These at their simplest consist of passive components such as potentiometers and capacitors, but may also include specialized integrated circuits or other active components requiring batteries for power, for pre amplification and signal processing, or even for assistance in tuning. In many cases the electronics have some sort of shielding to prevent pickup of external interference and noise.

Tremelo or Vibrato Arm


The Vibrato (pitch bend) unit found on many electric guitars has also had slang terms applied to it, such as "tremolo bar (or arm)", "sissy bar", "wang bar", "slam handle", "whammy handle", and "whammy bar". It is used for a pitch raising effect.
 
Pickup Selector Switch
 
In most of the electric guitar they are equipped with multiple pickups. The guitarist are given an option to select the pickup which he needs to use. This could be achieved by adjusting the pickup selector switch. Commonly, it has five way adjustment selector to produce the desired sound effect.
 
Output Jack

This is the way through which the electric guitar sound is sent for amplification. The output signals are sent via an audio cable to the guitar amplifier.

Wednesday, September 5, 2012

Parts of Guitar - Acoustic Guitar

Introduction

Hello all guitar lovers and friends. Everyone wishes to learn guitar whosoever first looks at this beautiful instrument. You just fall in love at first sight; that's why it is so appealing instrument. Many students who come to me and even those who are learning guitar already; do not have much knowledge about the parts of the guitar. That is what is called what and what purpose does it serves in the instrument. Although my first lecture gives them enough detail that they would never gets confused. I am posting here all of them in detail. Enjoy enhancing your guitar knowledge.

 
Headstock

Headstock, Tuning Keys & Nut
The headstock is located at the end of the guitar neck furthest from the body. It is fitted with tuning keys that adjust the tension of the strings, which in turn affects the pitch. Traditional tuner layout is "3+3" in which each side of the headstock has three tuners. Many guitars feature other layouts as well, including six-in-line tuners or even "4+2".


Tuning Keys

These keys are used to adjust the tension of the strings. Basically every stringed instrument requires a proper adjustment of all the strings. This adjustment of strings is known as TUNING. You need to tune the guitar before playing. The standard tuning used for the guitar is E-B-G-D-A-E (from string 1 to 6).



Nut

The nut is a small strip of bone, plastic, brass, graphite, stainless steel, or other medium-hard material, at the joint where the headstock meets the fretboard. Its grooves guide the strings onto the fretboard, giving consistent lateral string placement. It is one of the endpoints of the strings' vibrating length. It must be accurately cut, or it can contribute to tuning problems due to string slippage.


Truss Rod

The truss rod is a metal rod that runs along the inside of the neck. It is used to correct changes to the neck's curvature caused by the neck timbers aging, changes in humidity or to compensate for changes in the tension of strings. The tension of the rod and neck assembly is adjusted by a hex nut or an allen-key bolt on the rod, usually located either at the headstock, sometimes under a cover, or just inside the body of the guitar underneath the fretboard and accessible through the sound hole.


Neck

A guitar's frets, fretboard, tuners, headstock, and truss rod, all attached to a long wooden extension, collectively constitute its neck. The wood used to make the fretboard will usually differ from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used, and the ability of the neck to resist bending is important to the guitar's ability to hold a constant pitch during tuning or when strings are fretted. The rigidity of the neck with respect to the body of the guitar is one determinant of a good instrument versus a poor one.


Fret Board

Fret Board & Frets
The fingerboard (also known as a fretboard on fretted instruments) is a part of most stringed instruments. It is a thin, long strip of wood that is laminated to the front of the neck of an instrument and above which the strings run. In the playing of such an instrument, a musician presses the strings down towards it in order to change their vibrating lengths, causing changes in pitch. This is called "stopping" the strings. The word "fingerboard" in other languages sometimes occurs in musical directions.


Frets

Frets are metal strips embedded along the fretboard and located at exact points that divide the scale length in accordance with a specific mathematical formula. Pressing a string against a fret determines the strings' vibrating length and therefore its resultant pitch. The pitch of each consecutive fret is defined at a half-step interval on the chromatic scale. Standard classical guitars have 19 frets and electric guitars between 21 to 24 frets.


Inlays

Inlays or position markers are visual elements set into the exterior surface of a guitar i.e. fretboard. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar. The basic principle function of inlays help the guitarist to locate the particular fret easily. Usually the inlays are marked on 3rd, 5th, 7th, 9th and the 12th fret of the guitar fretboard.





Heel

Heel
This is the point at which the neck is either bolted or glued to the body of the guitar. Almost all acoustic guitars have glued necks or set necks, while electric guitars are constructed using both types.









Body

Body
The body of an acoustic guitar has a sound hole through which sound is projected. The sound hole is usually a round hole in the top of the guitar under the strings. Air inside the body vibrates as the guitar top and body is vibrated by the strings, and the response of the air cavity at different frequencies is characterized, like the rest of the guitar body, by a number of resonance modes at which it responds more strongly. Most electric guitar bodies are made of wood and include a plastic pick guard. Boards wide enough to use as a solid body are very expensive due to the worldwide depletion of hardwood stock since the 70's, so the wood is rarely one solid piece. Most bodies are made of two pieces of wood with some of them including a seam running down the center line of the body.


Strings

Modern guitar strings are manufactured in either metal or organo carbon material. Instruments utilizing "steel" strings may have strings made of alloys incorporating steel, nickel or phosphor bronze. Classical and flamenco instruments have historically used gut strings but these have been superseded by nylon and carbon-fiber materials. Bass strings for both instruments are wound rather than mono filament.


Sound Hole

Sound Hole
A sound hole is an opening in the upper sounding board of a stringed musical instrument. The sound holes can have different shapes: round in flat-top guitars, f-holes in instruments from the violin or viol families and in arched-top guitars, rosettes in lutes. Mandolins may have round or oval holes. A round or oval hole is usually a single one, under the strings. F-holes are usually made in pairs placed symmetrically on both sides of the strings.

Though the purpose of sound holes is to help acoustic instruments project their sound more efficiently, the sound does not emanate solely (nor even mostly) from the location of the sound hole. The majority of sound emanates from the surface area of both sounding boards, with sound holes playing a part by allowing the sounding boards to vibrate more freely, and by allowing some of the vibrations, which have been set in motion inside the instrument to travel outside the instrument.


Pick Guard

Pick Guard
A pick guard is a piece of plastic or other laminated material that is placed under the strings on the body of a guitar, mandolin or similar plucked string instrument. The main purpose of the pick guard is to protect the guitar's finish from being scratched by the guitar pick.

As well as serving a practical purpose, the pick guard may also be used for decoration and is often made in a contrasting color to that of the guitar body (popular variants are white pick guards on darker guitars and black pick guards on lighter guitars). As well as plastic, other pick guard materials can include acrylic glass, glass, plywood, fabrics, metal and mother-of-pearl/pearloid varieties. Expensive guitars may have luxury pick guards made from exotic woods, furs, skins, gems, precious metals, Mother of Pearl and abalone pearl. The pick guard is a very common site to place an autograph, since the signed pick guard can easily be detached and moved to another guitar or sold separately as a piece of memorabilia.


Bridge

Bridge, Saddle & Bridge Pins
The main purpose of the bridge on an acoustic guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings. On both electric and acoustic guitars, the bridge holds the strings in place on the body. There are many varied bridge designs. There may be some mechanism for raising or lowering the bridge to adjust the distance between the strings and the fretboard (action), and/or fine-tuning the intonation of the instrument.


Saddle

The saddle of a guitar refers to the structure on or parallel to the bridge. The saddle is most commonly found on acoustic guitars, but some models of hollow-bodied electric guitars have it. Its basic purpose is to hold the strings above the bridge and guitar, and to mute the vibration of the string so the strings do not buzz and/or damage themselves or the bridge. It is comparable in size and function to the nut, and variations in its design are not uncommon.


Bridge Pins

Bridge pins are used on some musical instruments to locate the string precisely in the horizontal plane, and in the case of harpsichords to affect the sustain of the strings. They are usually made of steel in modern pianos, of brass in harpsichords, and bone or synthetics on acoustic guitars. Electric guitars do not usually have bridge pins as, in guitars, they are used to transfer the sound from the strings into the hollow body of the instrument as well as holding the strings in place.


Tailpiece

Tailpiece
The function of the tailpiece is to anchor the strings, so it must be strong enough to withstand their combined tension. Tailpieces of the violin family of instruments, as well as acoustic basses, are suspended with a tail gut looped around the end pin or end button. Originally made of animal gut and adjusted with difficulty by means of a knot, tail guts are now usually made of wire or nylon mono filament, and more easily adjusted with threaded collars, usually made of brass, on the ends.

The tailpiece itself may be made of wood, usually ebony, rosewood or boxwood. Other materials include cast light metal, and composites including plastic. Choice of material may have more than just cosmetic effect; a well-made instrument is sensitive to tailpiece weight, mass distribution, and tail gut placement on the saddle.


Pickup


 A pickup device acts as a transducer that captures mechanical vibrations (usually from suitably-equipped stringed instruments such as the electric guitar, electric bass guitar or electric violin) and converts them to an electrical signal, which can be amplified and recorded.