Jimmy Page

I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.

Bruce Springsteen

When I was growing up, there were two things that were unpopular in my house. One was me, and the other was my guitar.

Richard Thompson

To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism. Bordering on insanity.

Paul Weller

Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.

Kurt Cobain

I own a '66 Jaguar. That's the guitar I polish, and baby - I refuse to let anyone touch it when I jump into the crowd.

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Sunday, October 26, 2014

Constructing Scales: A Complete Guide for Modes & Scales - 01

What is a scale? Why learning scale is important?

A scale is a collection of musical notes arranged in an order of frequency or pitch of the sound. When notes are played in increasing order of frequency it is called Ascending order and when they are played in decreasing order of frequency is known as Descending order. Thus a scale can be played in ASC and DESC order. With few exceptions some scales are played in varying ascending and descending pitches e.g. Melodic Minor. We will cover  types of scales in a different post.
 
The harmony or melody is constructed using a part of or the complete scale. Hence in the context of practicing music, scales are must to do exercise for learning. To have a much clearer picture of music, just visualize music as a language. To learn a particular language we start learning alphabets followed by formation of word and sentences. In the similar way in music; notes are alphabets, scales are words and harmony/melody is a complete sentence. Without attaining the basic knowledge of scales it will be difficult to understand music.
 
How scales are formed?
 


  
The Music Pyramid To understand the construction of scales, let us refer to the diagram - The Music Pyramid that demonstrates various elements step by step that are used to construct scale and composing music. Symmetrically they are Intervals, Modes, Scales, Harmony, Rhythm, Melody and Chords. We will discuss up to scales in this articles as it would be difficult to cover all the topics in a single post. Let's start exploring formation of scales step by step.
 
 
Intervals
 
Logically, interval is the gap between two notes which are arranged in ascending or descending order according to their pitch or frequency. For example starting with note C we can arrange all twelve notes in ascending order as: C, C#, D, Eb, E, F, F#, G, Ab, A, Bb and B. Now, the distance between C and C# is half note that can be denoted by "H" and distance between C and D is whole note which can be denoted by "W". So we get two types of Intervals i.e. Half Step (H) and Whole Step (W).
 
Modes
 
It will be very interesting and essential to learn about modes before switching to scales. A mode can be described as a blue print or a building block for constructing a scale. Usually a mode is an arrangement of intervals to form a pattern. This pattern of intervals is used to form a particular sequence of notes to construct the scale. Confused? Let us understand the concept with the help of an example. Let us consider the example of Ionian Mode which describes the following pattern of intervals:

W-W-H-W-W-W-H

Keep in mind that the interval defines the gap between two notes thus W or H is actually the distance between two notes and not the note itself. According to the given pattern of intervals let us construct the C Scale. To do so start with the note C and put the subsequent notes according to the given set of intervals. Here it goes:

  1. Start with C
  2. After leaving whole step interval pick the next note, that will be D
  3. Leave whole step interval pick next note, that will be E
  4. Leave half step interval pick next note, that will be F
  5. Leave whole step interval pick next note, that will be G
  6. Leave whole step interval pick next note, that will be A
  7. Leave whole step interval pick next note, that will be B
  8. Leave half step interval pick next note, that will be C

Thus the sequence of notes we derive from the Ionian Mode (W-W-H-W-W-W-H) starting with note C is C-D-E-F-G-A-B-C which is exactly the C Major Scale. Either way you can say that Major Scale is derived from Ionian Mode.

Modes and Scales Together

Let us put Modes and Scales together to understand the difference and similarity between them. First examine the difference:

SR
MODE
SCALE
1
Mode is the pattern of intervals.
Scale is sequence of notes arranged in order of ascending or descending pitch.
2
Mode is the building block.
Scale is derived from a Mode.
3
Mode cannot be played.
Scale can be played in ascending and or descending order.

Coming to the similarity between mode and scale, it lies only in their name. For example at times a mode and a scale share the same name such as Mixolydian Mode forms Mixolydian Scale. Whereas at most of the times the scale has a different name than a mode from which it is derived for example Ionian Mode is used to derive a Major Scale.

Friday, October 24, 2014

Guitar Chords: Main Koi Aisa Geet Gaun (Yes Boss - 1997)

Film: Yes Boss
Release: 1997
Cast: Shahrukh Khan, Juhi Chawla, Aditya Pancholi, Kashmira Shah
Lyrics: Javed Akhtar
Muisc: Jatin Lalit
Singer: Abhijeet, Alka Yagnik
Synopsis: This is another love number beautifully tailored by the great lyrics writer and poet Javed Akhtar. The chords of this song is very few and can be easily played over on the Key of G Major. The song is easy to strum on a flat beat of 4/4 Common Time Rhythm that why we have kept in the beginner's category. Listen and fell in love in the melody along with the strumming beats of your guitar.


CHORDS
 
 
G C D A

VERSE

(G)MAIN KOI AISA GEET (D)GAUN
KE (G)AARZU (D)JAGAUN
(C)AGAR (D)TUM (G)KAHO
TUM KO BULAUN
YE PALKEN BICHHAUN
(C)KADAM TUM (D)JAHAN (C)JAHAN (D)RAKHO
ZAMEEN KO (G)AASMAN (D)BANUN
(G)SITARON SE (D)SAJAUN
(C)AGAR (D)TUM (G)KAHO

STANZA 1

(G)MAIN TITLIYON KE PEECHHE BHAGUN
MAIN JUGNUON KE PEECHHE (D)JAUN
(G)YE RANG HAI, WO ROSHNI HAI
TUMHARE PAAS DONO (D)LAUN
(C)JITNI KHUSHBU(D)EN
(A)BAAG MEIN (D)MILE
HAAN, (C)JITNI KHUSHBU(D)EN
(A)BAAG MEIN (D)MILE
MAIN LAUN (C)WAHAN PE
KE (D)TUM (C)HO (G)JAHAN
JAHAN PE EK PAL BHI (D)THAHARUN
(G)MAIN GULSITA (D)BANAU
(C)AGAR (D)TUM (G)KAHO


STANZA 2

(G)AGAR KAHO TO MAIN SUNAU
TUMHE HASEEN KAHANIY(D)AN
(G)SUNOGI KYA MERI ZABANI
TUM IK PARI KI DASTA(D)AN
(C)YA MAIN (D)KARUN
(A)TUMSE (D)BAYAN
(C)YA MAIN (D)KARUN
(A)TUMSE (D)BAYAN
KE RAJA SE (C)RANI
(D)MILI (C)THI (G)KAHAN
KAHANIYON KE (D)NAGAR MEIN
(G)TUMHE LE KE (D)JAUN
(C)AGAR (D)TUM (G)KAHO

VIDEO



Disclaimer: The Film, Lyric, Music etc. are copyrighted and sole property of their respective owners. The lyric and its chords are posted for the purpose of education and training only.

Thursday, October 23, 2014

Happy Diwali - 2014


Saturday, October 18, 2014

Guitar Chords: Chura Liya Hai Tumne Jo Dil Ko (Yaadon Ki Baarat - 1973)

Film: Yaadon Ki Baarat
Release: 1973
Cast: Dharmendra, Zeenat Aman, Ajit Khan, Vijay Arora, Tariq, and Neetu Singh
Lyrics: Majrooh Sultanpuri
Muisc: R. D. Burman
Singer: Asha Bhosle & Mohammed Rafi
Synopsis: No guitarist could resist strumming this song. This song reverberate the inner soul of every musician. The song strums in a pretty simple way but the unique transitions of chord make it more melodic to fall in love with this song. Here are the chords for you to play on and enjoy this song.



CHORDS
Am A Dm F G E7 ESus4

INTRO MUSIC

ESus4 x 2

Am – F – Dm – E7 – Am – G – Am

VERSE

(Am)CHURA LIYA HAI TUMNE JO (G)DIL KO
(Am)NAZAR NAHIN CHURAANA (E7)SANAM
(Am)BADAL KE MERI TUM ZINDA(G)GAANI
(Am)KAHIN BADAL NA JAANA (E7)SANAM
OH (Am)LE LIYA (E7)DIL, HAI (Am)MERA (E7)DIL
HAI DIL (A)LEKAR MUJHKO NA BEHLANA
(Am)CHURA LIYA HAI TUMNE JO (G)DIL KO
(Am)NAZAR NAHIN CHURAANA SANAM

STANZA 1

 
[(Am)BAHAAR BANKE (Dm)AAUN KABHI (F)TUMHARI DUNIYA (Am)MEIN
GUZAR NA JAYE (Dm)YE DIN KAHIN (F)ISI TAMANNA (Am)MEIN] - 2
(Am)TUM MERE (E7)HO, HO TUM (Am)MERE (E7)HO
AAJ TUM (A)ITNA VAADA KARTE JAANA
REPEAT VERSE

STANZA 2

[(Am)HO, SAJAAUNGA LUT (Dm)KAR BHI TERE (F)BADAN KI DALI (Am)KO
LAHU JIGAR KA (Dm)DUNGA HASEEN (F)LABON KI LALI (Am)KO] - 2
(Am)HAI WAFA (E7)KYA IS (Am)JAHAN (E7)KO
EK DIN (A)DIKHLA DUNGA MAIN DEEWANA

REPEAT VERSE
 
VIDEO
 
 
 
Disclaimer: The Film, Lyric, Music etc. are copyrighted and sole property of their respective owners. The lyric and its chords are posted for the purpose of education and training only.

Wednesday, October 15, 2014

Guitar Chords: Ye Ratein Ye Mausam (Dilli Ka Thug - 1958)

Film: Dilli Ka Thug
Release: 1958
Cast: Kishore Kumar, Nutan, Madan Puri, Amar, Iftekhar
Lyrics: Majrooh Sultanpuri
Muisc: Ravi
Singer: Asha Bhosle, Kishore Kumar
Synopsis: This is a very soft and melodic song and an ideal for an intermediate guitarist to learn. The song contains a varied use of chord form and progression which makes it a unique number among the old bollywood classics. The beautiful voice of Asha Bhonsle and Kishore Kumar had added a splendid magic.



CHORDS
Em E Am D G C B

VERSE

[(Em)YEH RATE YEH MAUSAM
NADI KA (B)KINARA
YEH (D)CHANCHAL (Em)HAWA] – 2
KAHA DO (Am)DILO NE
(Em)KE MIL KAR KABHI HUM
(D)NA HONGE (B)JUDA

STANZA 1

(Em)YEH KYA BAT (Am)HAI, AAJ KI (E)CHANDNI ME
Music D - C - Em
(Em)YEH KYA BAT (Am)HAI, AAJ KI (E)CHANDNI ME
(Em)KE HUM KHO (Am)GAYE, PYAR KI (E)RAGNI ME
(D)YEH BAHO ME BAHEN, YEH BEHKI NIGAHEN
LO AANE (G)LAGA ZINDA(B)GI KA (Em)MAZA
REPEAT VERSE

STANZA 2

(Em)SITARON KI (Am)MEHFIL NE (E)KARKE ISHARA
Music D - C - Em
(Em)SITARON KI (Am)MEHFIL NE (E)KARKE ISHARA
(Em)KAHA AB TO (Am)SARA JAHAN (E)HAI TUMHARA
(D)MOHABBAT JAWAN HO, KHULA AASMAN HO
KARE (G)KOI DIL AARZ(B)U AUR (Em)KYA
REPEAT VERSE

STANZA 3
(Em)KASAM HAI (Am)TUMHE, TUM (E)AGAR MUJHSE RUTHE
Music D - C - Em
(Em)KASAM HAI (Am)TUMHE, TUM (E)AGAR MUJHSE RUTHE
(Em)RAHE SANS (Am)JAB TAK YEH (E)BANDHAN NA TUTE
(D)TUMHE DIL DIYA HAI, YEH WADA KIYA HAI
SANAM MAI (G)TUMHARI (B)RAHUNGI (Em)SADA
REPEAT VERSE

VIDEO



Disclaimer: The Film, Lyric, Music etc. are copyrighted and sole property of their respective owners. The lyric and its chords are posted for the purpose of education and training only.